Edward Hopper’s Nighthawks (1942) doesn’t just evoke a certain stripe of mid-century, after-hours, big-city American loneliness; it has more or less come to stand for the feeling itself. But as with most images that passed so fully into the realm of iconhood, we all too easily forget that the painting didn’t simply emerge complete, ready to embed itself in the zeitgeist. Robin Cembalest at ARTnews has a post on how Edward Hopper “storyboarded” Nighthawks, finding and sketching out models for those three melancholic customers (one of whom you can see in an early rendering above), that wholesome young attendant in white, and the all-night diner (which you can see come together in chalk on paper below) in which they find refuge.
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