Everything at Once review – a trip beyond death and into a cosmic womb — theguardian.com

A white line snakes through the spaces of Store Studios, housed in a 1971 brutalist office block on the Strand. Painted using one of those wheeled contraptions that mark out football pitches and sports fields, the line trundles from under a closed lift door, makes its way splashily up a swanky staircase – passing a Lawrence Weiner work that repeats the same phrase, “WHOLE CLOTH STRETCHED TO THE LIMIT”, on the wall in big letters on every level – makes arcing oxbow detours across the concrete floors, and comes to a stop, where the machine ran out of paint, on the first floor. There it stands. Phew. Ceal Floyer’s Taking a Line for a Walk follows Paul Klee’s famous definition of drawing. Floyer’s work is a nice detour in a show of 24 Lisson Gallery artists that doesn’t try too hard to make any sense at all.

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