The gracefully balanced flower arrangements of Camille Henrot’s installation “Is it possible to be a revolutionary and like flowers” (2012-2014) occupy the second floor of the New Museum, contributing a soothing, zenlike presence to the exhibition of the artist’s recent works. The delicate blossoms and twisting stems of the bouquets, punctuated with thoughtful empty spaces, make for more than happy embellishments. They are floral translations of weighty literary titles, themes, and quotations pulled from the bookshelves of the artist’s personal library.
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