articles/Video art unplugged — theartnewspaper.com

“The Argument” at the Shaulager: Antietam, 2013, Volumes, 2012, and Tablet 3, 2014. Photo: Tom Bisig, © Paul Chan “When I committed to doing a show at the Schaulager, I knew I wanted to do something new. I didn’t want to go in the same direction,” says Paul Chan, the Hong Kong-born, New York-based artist who has taken over the museum’s galleries for his first major exhibition in five years. “I didn’t want to do projection work—the thing that has held my attention most the last ten years. The nature of the image has fundamentally changed. We see so many moving images on so many different screens today, I didn’t want to contribute more to it.”

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