As a podcaster, I’ve long since grown used to the idea of periodically issuing audio content. But the convenient recording, internet, and computer, and mobile listening technologies that made such a medium possible only really converged in the early 2000s. How would I have gone about it had I wanted to put out a “podcast,” say, 40 years earlier? We have one such example in Audio Arts, a British contemporary art “sound magazine” distributed through the mail on audio cassettes. “The seventies were the years of conceptual art with text adding value to the actual works,” co-creator William Furlong once said in an interview. “As an artist I was more interested in ‘discussion,’ the idea of language and the people that already worked in conceptual fields in Great Britain. Soon I realised there weren’t magazines capable of reporting such material inspired by conversation, sounds and discussions. The evocative force of a voice is lost with the written word as it will only ever be a written voice.“
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