Roger Ebert seems to have resented star ratings, which he had to dish out atop each and every one of his hundreds upon hundreds of regular newspaper movie reviews. He also emphasized, every once in a while, his disdain for the “thumbs up” and “thumbs down” system that became his and Gene Siskel’s television trademark. And he could hardly ever abide that run-of-the-mill critic’s standby, the top-ten list. Filmgoers who never paid attention to Ebert’s career will likely, at this point, insist that the man never really liked anything, but those of us who read him for years, even decades, know the true depth and scope of his love for movies, a passion he even expressed, regularly, in list form. He did so for, as he put it, “the one single list of interest to me. Every 10 years, the ancient and venerable British film magazine, Sight & Sound, polls the world’s directors, movie critics, and assorted producers, cinematheque operators and festival directors, etc., to determine the Greatest Films of All Time.”
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