Flannery O’Connor once wrote, “because fine writing rarely pays, fine writers usually end up teaching, and the degree, however worthless to the spirit, can be expected to add something to the flesh.” That phrase “worthless to the spirit” contains a great deal of the negative attitude O’Connor expressed toward the institutionalization of creative writing in MFA programs like the one she helped make famous at the University of Iowa. The verbiage comes from an essay she wrote for the alumni magazine of the Georgia College for Women after completing her degree in 1947, quoted in the Chad Harbach-edited collection of essays MFA vs. NYC. Although fresh from the program, O’Connor was already on her way to literary success, having published her first story, “The Geranium,” the year previous and begun work on her first novel, Wise Blood. Nevertheless, her insights on the MFA are not particularly sanguine.
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