Having once been involved in the founding of an arts magazine, I have experienced intimately the ways in which such an endeavor can depend upon a community of equals pooling a diversity of skills. The process can be painful: egos compete, certain elements seek to dominate, but the successful product of such a collaborative effort will represent a living community of artists, writers, editors, and other masters of technique who subordinate their individual wills, temporarily, to the will of a collective, creating new gestalt identities from conceptual atoms. As Monoskop—“a wiki for collaborative studies of art, media and the humanities”—points out, “the whole” of an arts magazine, “could become greater than the sum of its parts.” Often when this happens, a publication can serve as the platform or nucleus of an entirely new movement.
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