To make an exciting movie, do you really need much more than an art thief and his capers? With Dripped, animator Léo Verrier sees that can’t-miss premise and raises it in an exploration of art history. In its 1940s New York City setting, painting-swiping protagonist Jack lives not just to make world-renowned canvasses his own, but a part of him. When he gets these works of art back to his apartment, he doesn’t even consider selling them; instead, he chews and swallows them, thus enabling him to assume in body the forms and colors famously expressed in paint on their surfaces. We are what we eat, and Jack eats art, but even becoming the art of others ultimately leaves him unsatisfied. Determined to paint and eat a canvas of his own, he finds his stomach can’t handle his work in progress. Thrown into a bout of frustration, an angered Jack tosses one of his paintings to the ground, randomly splattering it with every color at hand. And thus he discovers, in this animated fantasy, the technique that Jackson Pollock would pioneer in reality.
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