On September 9th in Albany, New York, the new, ultimate King Crimson – at seven members the largest ensemble in the British band's 46-year history, with three drummers and players from every major phase and decade – closed the opening night of its debut U.S. tour with the ultimate King Crimson song: the tortuous thunder and scathing paranoia of "21st Century Schizoid Man," from the group's 1969 debut album, In the Court of the Crimson King. A nightly feature of Crimson shows until the end of their first live era in 1974, "Schizoid Man" was mothballed as founding guitarist Robert Fripp launched subsequent lineups, including the so-called Discipline quartet in the Eighties and the fearsome double-trio configuration of 1994 to 1997. The closest any post-Seventies Crimson usually came to greatest hits was the art-metal signature "Red," from the 1974 LP of the same name, and the second part of the title piece from 1973's Larks' Tongue in Aspic.
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