In one of my favorite Woody Allen films, Sweet and Lowdown, Sean Penn plays Emmett Ray, a fictional jazz guitarist who embodies the titular qualities in equally great measure. “Already considered peerless among American jazz guitarists,” Ray admits of only one rival—Parisian gypsy guitarist Django Reinhardt, whom Emmett worships, obviously patterns himself after, and can’t stand to see in person without fainting dead away. Where Ray is a tremendously convincing creation of Allen and Penn, Reinhardt was very much a real musician, and was indeed the reigning king of jazz guitar from the 1930s to the 50s. Reinhardt’s incredible skill is all the more impressive considering he only had use of three fingers on his left hand due to injuries sustained in caravan fire in 1928.
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