Hiroshima Mon Amour, Alain Resnais’s landmark 1960 meditation on war and memory, was Emmanuelle Riva’s first starring role. She plays a married actress (catch a scene here) who, while making a movie in Japan, has an affair with a Japanese architect played by Eiji Okada. Screenwriter Marguerite Duras chisels away at the actress’s Gallic reserve over the course of the film as memories of the war, not to mention guilt over the affair, overwhelm her. Resnais lingers on Riva’s face as she comes apart. Her performance is as brave as it is exact. French film critic Jean Domarchi once stated, “Hiroshima is a documentary on Emmanuelle Riva.”
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