The term “creative nonfiction” has picked up a great deal of traction over the past decade — perhaps too much, depending upon how valid or invalid you find it. Meaningful or not, the label has come into its current popularity in part thanks to the essays of novelist David Foster Wallace: whether writing nonfictionally about the Illinois State Fair, David Lynch, professional tennis, or a seven-night Caribbean cruise, he did it in a way unlike any other man or woman of letters. While nobody can learn to write quite like him — this we’ve seen when Wallace-imitators write pastiches of their own — he did spend time teaching the art of creative nonfiction as he saw it,
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