When the character played by Tommy Lee Jones in “The Homesman,” who calls himself George Briggs but may not be the most trustworthy source, tells Mary Bee Cuddy, the plucky frontierswoman played by Hilary Swank, that she’s “as plain as an old tin pail,” you may want to stop the movie and file a complaint. As Jones is well aware, he’s no beauty-pageant contestant himself, and Briggs is a grubby, unkempt character with a disreputable past, who resembles a hunk of gristle chewed and then spat out by a stray dog. But Jones, as always, knows what he’s doing. In only his second feature as a director, the laconic 68-year-old star has made a wrenching, relentless and anti-heroic western that stands among the year’s most powerful American films. Not everyone will like “The Homesman,” but if you see it you won’t soon forget it.
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