In the pantheon of Great Russian Writers, two heads appear to tower above all others—at least for us English-language readers. Leo Tolstoy, aristocrat-turned-mystic, whose detailed realism feels like a fictionalized documentary of 19th century Russian life; and Fyodor Mikhailovich Dostoevsky, the once-condemned-to-death, epileptic former gambler, whose fever-dream novels read like psychological case studies of people barely clinging to the jagged edges of that same society. Both novelists are read with similar reverence and devotion by their fans, and they are often pitted against each other, writes Kevin Hartnett at The Millions, like “Williams vs. DiMaggio and Bird vs. Magic,” even as people who have these kinds arguments acknowledge them both as “irreducibly great.”
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