“The thing to keep in mind,” William Gibson tells me when we meet in the quiet lounge of a Victorian-style hotel in Chicago, “is that I’m not actually predicting the future. I’m generating scenarios.” The setting is appropriate: The acclaimed science fiction writer often uses the vanished Victorian culture in his novels to illustrate a tension that’s been present in his work from the beginning—the past vs. the future. His newest novel, The Peripheral, explores this connection more deeply than ever before by imbuing two newly imagined futures with Victoriana.
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