Serial-killer shows aren’t hard to find these days: Dexter, Hannibal, The Killing, The Following, The Bridge, not to mention all the CSIs, and NCISes. But in a sea of television that has made the ritualistic murder of women an industry unto itself, The Fall manages to be a feminist show about a sexually-motivated serial killer that not only critiques the real-life phenomenon of violence against women, but the pernicious way that so many shows turn it into entertainment.
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