“Needing to have reality confirmed and experience enhanced by photographs is an aesthetic consumerism to which everyone is now addicted.”
Ever since its invention in 1839, the photographic image and its steady evolution have shaped our experience of reality — from chronicling our changing world and recording its diversity to helping us understand the science of emotion to anchored us to consumer culture. But despite the meteoric rise of photography from a niche curiosity to a mass medium over the past century and a half, there’s something ineffably yet indisputably different about visual culture in the digital age — something at once singular and deeply rooted at the essence of the photographic image itself.
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