Film Review: 'Ex Machina' — variety.com

While multiplex fantasy remains an extravagantly caped boys’ club, a stealthy gender inquiry is taking place in more specialized sci-fi territory, with Alex Garland’s brittle, beautiful “Ex Machina” its latest slyly thoughtful line of questioning. A worthy companion piece to “Under the Skin” and “Her” in its examination of what constitutes human and feminine identity — and whether those two concepts need always overlap — Garland’s long-anticipated directorial debut synthesizes a dizzy range of the writer’s philosophical preoccupations into a sleek, spare chamber piece: Mary Shelley’s “Frankenstein” redreamed as a 21st-century battle of the sexes. Exquisitely designed and electrically performed by Alicia Vikander, Domhnall Gleeson and particularly Oscar Isaac, this uncomplicated but subtly challenging film requires strong word of mouth from its January U.K. release (and its March SXSW premiere) if audiences abroad are to tap its porcelain surface.

Read More