“Killing an Arab” was always going to be a trickily divisive first relief for the first incarnation of The Cure. Transmigrating from The Obelisk via Malice and The Easy Cure, The Cure, despite early record label trauma, eventually get round to releasing material and they were not shy to draw attention from the start. It was merely a Notre Dame Roman Catholic Schoolboy’s attempt to reference Albert Camus’ L'Étranger, of course.
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