Given his celebrity status in the realms of both music and visual art, I don’t know that we can really call anything Brian Eno does obscure. But at one point, he did call his own efforts obscure — or at least those efforts required to establish and run the label Obscure Records, which he did between 1975 and 1978. In that short period, Obscure Records managed to put out ten albums, from Gavin Bryars’ The Sinking of the Titanic (catalog no. 1) to Michael Nyman’s Decay Music (no. 6) to Harold Budd’s Pavilion of Dreams (no. 10), all of which we might broadly categorize as “contemporary classical music,” with a strong bent toward new compositional techniques and what we’d now call ambient textures.
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