Alice Neel, Untitled (Karamazov, His Three Sons, and the Servant Gregory), ca. 1938, 14 ¼” x 10”. © The Estate of Alice Neel. Courtesy David Zwirner, New York/London.
Alice Neel, who died in 1984, is remembered best as a portraitist—her paintings present friends, lovers, and other intimates with an astonishing, often forbidding guilelessness. Your average Neel portrait is penetrating, flip, scary, and more than a little funny, depending on how long you’re willing to hold its subject’s gaze. Neel’s people all look to be plodding through the Stations of the Cross with a kind of decadent resignation—this is the world we live in, and oh well. “Alice loved a wretch,” her daughter-in-law told the Guardian in 2004. “She loved the wretch in the hero and the hero in the wretch. She saw that in all of us, I think.”
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