I remember the first time I sat down and watched Andrei Tarkovsky’s lyrical, meandering sci-fi epic Stalker. It was a long time ago, before the advent of smartphones and tablets. I watched a beat-up VHS copy on a non-“smart” TV, and had no ability to pause every few minutes and swing by Facebook, Twitter, or Instagram for some instant distraction and digital small talk. The almost three-hour film—with its long, languid takes and endless stretches of silence—is a meditative exercise, a test in patience that at times seems like its own reward.
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