The wallpaper image on Ai Weiwei’s mobile phone is a black and white photograph showing the entrance to an underground home in Xinjiang. It was here where the Chinese activist artist and his family were exiled for five years when he was a boy. “We were put underground here as a punishment,” he says. “This is where I grew up. Now they put the Uighurs in these kind of camps.” He enlarges the picture showing a bunker-like structure jutting out of the ground in an arid, inhospitable landscape.
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