Trying to sum up the maestro’s 66-year career into ten tracks is impossible. His work was simply too diverse to be comprehensively boiled down into a neat list. His film scores alone spanned jazz, lushly romantic orchestrations, supremely freaked-out psychedelic rock and all points in between; outside of cinema, he worked in everything from 60s Europop to avant-garde modern classical; in rock and pop, his influence is the thread that binds artists as disparate as Metallica, Gnarls Barkley, Alex Turner and Adam and the Ants. What follows is, by necessity, a personal trawl through his back catalogue.
Read More