“I was just looking forward to the experience [of working with him] so much,” says McAdams. “You just trust Terry implicitly. I think he has an amazing eye for great moments and for finding truth and beauty.”
Working with a cinematic luminary like Malick, however, is not all plain sailing. McAdams, who broke through in 2004 with the crackling comedy Mean Girls and the popular tearjerker The Notebook, concedes that filming unrehearsed and with no set script proved confusing.
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