"Every time somebody asks me if I'm interested in doing an iconic literature character, it's really hard to ignore," Anderson explains. Establishing a roster of women as far from Scully as possible – Henrik Ibsen's Nora, Edith Wharton's Lily, Charles Dickens's Miss Havisham, their appeal was obvious: "Dickens holds up in the modern world and it's the same subject matter that we're still contending with today, whether it's a separation of the classes or greed, it continues to be identifiable."
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